If You Call a Rose an Onion, It Will Stink

I worked for an LDS publisher who claimed you had seven words or less (preferably less) to grab a reader’s attention. The title was one of the key reasons buyers picked up a new book and we spent hours retitling purchased manuscripts.

Now I wonder–how important is a title during the submission process? Does a title ever grab your attention and cause you to lift a manuscript out of the ‘slush pile’? How do you feel about those manuscripts which are submitted simply as “Untitled”?

Seven words, huh? That sounds about right. And you’re right, a good title piques interest and will get a buyer to take the book off the shelf. I’ve toyed with the idea of hiring someone solely to generate titles. That would be nice. But in reality, it’s a group effort. We often run a list of titles by our readers and employees and see which one appeals to the most people.

As to how important your title is to the submission process–not very. Yes, sometimes an interesting title will invite me to read that mss first, but it’s the story and the writing that make the final decision. It’s a somewhat different skill set required for creating titles and for writing stories. Kind of like the difference between writing a novel and writing poetry. I never turn down a book based on its title. And I always reserve the right to change the title–it’s in my contract.

I have used author’s original titles before. Some of them are great. Sometimes I’ve tweaked them a little, or used them to start the brainstorming process. Sometimes they’re really, really bad–but a bad title is better than no title.

I really hate mss submitted as “Untitled.” A title brings focus to a story. A story without a title says to me that you don’t know enough about your story (bad news) or that you’re too lazy or that you’re expecting me to do all the work. My experience tells me that Untitled manuscripts are going to need lots of editing in other places as well.

So–brainstorm titles. Test them out on your friends and family. Pick one. Put it on your manuscript and submit. Keep your list of brainstormed titles so that you can offer other suggestions when the publisher asks for them. (Sometimes they will, sometimes they won’t.)

2 thoughts on “If You Call a Rose an Onion, It Will Stink”

  1. I’m going to be a snot and because I’m going to be a snot, I’m not using my real name on this comment.

    Please, people, can we not use titles that include the words “heart,” “love,” “forever,”
    “tomorrow”, and the like? There are so many similar titles in the LDS market that when I’m looking for a new book, I don’t know which ones I’ve read and which I haven’t because they all sound exactly alike. “The Heart Has Tomorrow Forever.” “Forever There is a Heart.” “Tomorrow I Will Have a Heart Forever.” I’m being sarcastic, but I’m serious. Go to the library or the bookstore and read the titles of all the books published over the last five years. They’re all sadly the same. Show some creativity! I want to know, the minute I see your book, that it’s new and different, and remember whether or not I’ve read it before.

  2. Anonymous, you and I may gag when we see those titles, but apparently the typical romance reader eats it up. Go look at a shelf of Harlequins.

    With those words in the title, you know what you’re getting–and that’s one of the key factors to a good title, that it conveys the message of the book in abbreviated format.

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